{"id":108094,"date":"2025-02-15T16:56:56","date_gmt":"2025-02-15T14:56:56","guid":{"rendered":"https:\/\/www.antikvarius.ro\/?post_type=product&p=108094"},"modified":"2025-02-15T16:56:58","modified_gmt":"2025-02-15T14:56:58","slug":"gaal-gabor-valogatott-irasok-i-ii-kotet","status":"publish","type":"product","link":"https:\/\/www.antikvarius.ro\/hu\/magyar-nyelvu-konyvek\/gaal-gabor-valogatott-irasok-i-ii-kotet\/","title":{"rendered":"Ga\u00e1l G\u00e1bor – V\u00e1logatott \u00edr\u00e1sok (I-II. k\u00f6tet)"},"content":{"rendered":"

Ga\u00e1l G\u00e1bor – V\u00e1logatott \u00edr\u00e1sok (I-II. k\u00f6tet)<\/strong><\/p>\n

1921-1940 Tanulm\u00e1nyok \u00e9s cikkek<\/em><\/p>\n

Tartalom<\/em><\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
I. k\u00f6tet: 1921-1940, Tanulm\u00e1nyok \u00e9s cikkek<\/td>\n<\/td>\n<\/tr>\n
1921-1923<\/td>\n<\/td>\n<\/tr>\n
Longosz: Daphnis \u00e9s Khlo\u00e9<\/td>\n7<\/td>\n<\/tr>\n
Orosz kritikusok<\/td>\n10<\/td>\n<\/tr>\n
D\u00e9ry Tibor: K\u00e9t n\u0151v\u00e9r<\/td>\n13<\/td>\n<\/tr>\n
Andreas Ady: Auf nauen Gew\u00e4ssern<\/td>\n15<\/td>\n<\/tr>\n
Andreas Ady: Auf nauen Gew\u00e4ssern<\/td>\n19<\/td>\n<\/tr>\n
Andreas Ady: Auf nauen Gew\u00e4ssern<\/td>\n22<\/td>\n<\/tr>\n
Andreas Ady: Auf nauen Gew\u00e4ssern<\/td>\n25<\/td>\n<\/tr>\n
Andreas Ady: Auf nauen Gew\u00e4ssern<\/td>\n28<\/td>\n<\/tr>\n
Tolsztoj: Gyerekek a vil\u00e1g dolgair\u00f3l<\/td>\n32<\/td>\n<\/tr>\n
Hatvany Lajos: Feles\u00e9gek feles\u00e9ge<\/td>\n34<\/td>\n<\/tr>\n
Maupassant: A v\u00f6r\u00f6sl\u00e1mp\u00e1s h\u00e1z<\/td>\n37<\/td>\n<\/tr>\n
A kom\u00e9diaki\u00e1ll\u00edt\u00e1s<\/td>\n39<\/td>\n<\/tr>\n
K\u00e9t Ady-lev\u00e9l<\/td>\n42<\/td>\n<\/tr>\n
Irodalmi nevel\u00e9s<\/td>\n46<\/td>\n<\/tr>\n
Szeg\u00e9nys\u00e9g \u00e9s sz\u00e9ps\u00e9g<\/td>\n50<\/td>\n<\/tr>\n
„Akasztott Ember”<\/td>\n53<\/td>\n<\/tr>\n
\u00daj foly\u00f3irat<\/td>\n54<\/td>\n<\/tr>\n
Sztanyiszlavszkij<\/td>\n56<\/td>\n<\/tr>\n
Kass\u00e1k Lajos, Moholy Nagy L\u00e1szl\u00f3: \u00daj m\u0171v\u00e9szek k\u00f6nyve<\/td>\n58<\/td>\n<\/tr>\n
T\u00fal az irodalmon<\/td>\n60<\/td>\n<\/tr>\n
A hatvan\u00e9ves Gerhart Hauptmann<\/td>\n64<\/td>\n<\/tr>\n
Az „ismeretlen” Ady<\/td>\n67<\/td>\n<\/tr>\n
Bemutat\u00f3 a Raimund-Theaterben<\/td>\n72<\/td>\n<\/tr>\n
Bal\u00e1zs B\u00e9la: F\u00e9rfi\u00e9nek<\/td>\n74<\/td>\n<\/tr>\n
Orosz sz\u00ednh\u00e1z<\/td>\n77<\/td>\n<\/tr>\n
1926<\/td>\n<\/td>\n<\/tr>\n
Tiszta sz\u00edvvel<\/td>\n81<\/td>\n<\/tr>\n
Panait Itrati: Kyra Kyralina<\/td>\n85<\/td>\n<\/tr>\n
A porosz \u00e9s republik\u00e1nus Hamlet<\/td>\n90<\/td>\n<\/tr>\n
1927<\/td>\n<\/td>\n<\/tr>\n
Moln\u00e1r Ferenc: J\u00e1t\u00e9k a kast\u00e9lyban<\/td>\n97<\/td>\n<\/tr>\n
Thomas Mann \u00e9s a fiatalok<\/td>\n101<\/td>\n<\/tr>\n
\u00daj m\u0171v\u00e9szet<\/td>\n105<\/td>\n<\/tr>\n
A polg\u00e1rh\u00e1bor\u00fa mes\u00e9ib\u0151l<\/td>\n108<\/td>\n<\/tr>\n
Front a szat\u00edra ellen<\/td>\n110<\/td>\n<\/tr>\n
L. Pirandello: Hat szerep keres egy szerz\u0151t<\/td>\n113<\/td>\n<\/tr>\n
Az Erd\u00e9lyi Helikon Antol\u00f3gi\u00e1ja<\/td>\n116<\/td>\n<\/tr>\n
A sz\u00e1z\u00e9ves Vajda J\u00e1nos<\/td>\n121<\/td>\n<\/tr>\n
Gorkij: Az Artamonovok<\/td>\n124<\/td>\n<\/tr>\n
Kacs\u00f3 S\u00e1ndor: Utolj\u00e1ra m\u00e9g megkapaszkodunk<\/td>\n127<\/td>\n<\/tr>\n
Machiavelli, a d\u00e9mon<\/td>\n129<\/td>\n<\/tr>\n
Salzburg \u00e9s a kritikusok<\/td>\n140<\/td>\n<\/tr>\n
Stefan George<\/td>\n143<\/td>\n<\/tr>\n
A b\u00e9csi enfant terrible<\/td>\n146<\/td>\n<\/tr>\n
A szib\u00e9riai Garnizon<\/td>\n150<\/td>\n<\/tr>\n
A j\u00f3 \u00fcgy \u00e9s hal\u00e1la<\/td>\n153<\/td>\n<\/tr>\n
Vid\u00e9ki t\u00f6rt\u00e9net<\/td>\n156<\/td>\n<\/tr>\n
R\u00f6vid k\u00f6nyvszemle<\/td>\n159<\/td>\n<\/tr>\n
Kisb\u00e1n Mikl\u00f3s: Reggelt\u0151l estig<\/td>\n164<\/td>\n<\/tr>\n
A tot\u00e1lis sz\u00ednh\u00e1z<\/td>\n169<\/td>\n<\/tr>\n
Alexander Bern\u00e1t<\/td>\n172<\/td>\n<\/tr>\n
Egy k\u00f6nyvismertet\u00e9s<\/td>\n176<\/td>\n<\/tr>\n
Maximilian Harden<\/td>\n180<\/td>\n<\/tr>\n
Az irodalmi kritik\u00e1r\u00f3l<\/td>\n186<\/td>\n<\/tr>\n
A l\u00edrikusok alkonya<\/td>\n192<\/td>\n<\/tr>\n
1928<\/td>\n<\/td>\n<\/tr>\n
Felesleges kort\u00e1rsak<\/td>\n196<\/td>\n<\/tr>\n
Ut\u00f3pia \u00e9s val\u00f3s\u00e1g<\/td>\n197<\/td>\n<\/tr>\n
Oscar Wilde „posztumusz” dr\u00e1m\u00e1ja k\u00f6r\u00fcl<\/td>\n200<\/td>\n<\/tr>\n
Ady a kort\u00e1rsak k\u00f6z\u00f6tt<\/td>\n203<\/td>\n<\/tr>\n
Valaki mondott egy viccet<\/td>\n206<\/td>\n<\/tr>\n
German Metaphysics…?<\/td>\n210<\/td>\n<\/tr>\n
Ady rejt\u00e9lyes \u00e9vei<\/td>\n213<\/td>\n<\/tr>\n
Sipos Domokos „hal\u00e1lversei”<\/td>\n220<\/td>\n<\/tr>\n
Gorkij \u00e9s Tolsztoj<\/td>\n223<\/td>\n<\/tr>\n
Az \u00faj magyar l\u00edr arcvonal\u00e1r\u00f3l<\/td>\n225<\/td>\n<\/tr>\n
Egy erd\u00e9lyi k\u00fcl\u00f6nlegess\u00e9g<\/td>\n229<\/td>\n<\/tr>\n
Sz\u00e9p, k\u00f6zk\u00f6mb\u00f6s k\u00f6nyv<\/td>\n233<\/td>\n<\/tr>\n
Val\u00f3s\u00e1g \u00e9s irodalom<\/td>\n237<\/td>\n<\/tr>\n
Az akusztikus film<\/td>\n240<\/td>\n<\/tr>\n
\u00daj foly\u00f3irat Erd\u00e9lyben<\/td>\n243<\/td>\n<\/tr>\n
A Csehi csal\u00e1d<\/td>\n246<\/td>\n<\/tr>\n
A happy end<\/td>\n250<\/td>\n<\/tr>\n
Boldogtalan k\u00f6lt\u0151k<\/td>\n252<\/td>\n<\/tr>\n
Pesti fiatalember verse 1928-ban<\/td>\n256<\/td>\n<\/tr>\n
Emil Ludwig verse 1928-ban<\/td>\n260<\/td>\n<\/tr>\n
Emil Ludwig J\u00e9zus-k\u00f6nyve<\/td>\n263<\/td>\n<\/tr>\n
Reg\u00e9nyek \u00f6z\u00f6ne<\/td>\n265<\/td>\n<\/tr>\n
Erd\u00e9lyben van m\u00e1s is<\/td>\n268<\/td>\n<\/tr>\n
Eur\u00f3pa-f\u00e1radts\u00e1g<\/td>\n270<\/td>\n<\/tr>\n
Az „erd\u00e9lyi gondolat” tartalma \u00e9s terjedelme<\/td>\n273<\/td>\n<\/tr>\n
1929<\/td>\n<\/td>\n<\/tr>\n
Egy megmentend\u0151 fiatalember<\/td>\n281<\/td>\n<\/tr>\n
A tr\u00f3njavesztett filoz\u00f3fia<\/td>\n283<\/td>\n<\/tr>\n
Rosa Luxemburg eml\u00e9kezete<\/td>\n286<\/td>\n<\/tr>\n
Az olvasatlan k\u00f6nyvek<\/td>\n288<\/td>\n<\/tr>\n
A h\u00e1bor\u00fas gener\u00e1ci\u00f3k egy legend\u00e1ja<\/td>\n292<\/td>\n<\/tr>\n
Illy\u00e9s Gyula<\/td>\n295<\/td>\n<\/tr>\n
A t\u00e9nyek vagy az \u00e1lmok k\u00f6lt\u00e9szete?<\/td>\n297<\/td>\n<\/tr>\n
Renn vagy Remarque?<\/td>\n300<\/td>\n<\/tr>\n
Sz\u00e1nt\u00f3 Gy\u00f6rgy h\u00e1rom reg\u00e9nye<\/td>\n303<\/td>\n<\/tr>\n
A kritikus hal\u00e1la<\/td>\n306<\/td>\n<\/tr>\n
Moissi<\/td>\n309<\/td>\n<\/tr>\n
A hetven\u00e9ves Bergson<\/td>\n312<\/td>\n<\/tr>\n
J\u00f3l van, benne vagyunk a kell\u0151s k\u00f6zep\u00e9ben<\/td>\n315<\/td>\n<\/tr>\n
Gy\u00e1v\u00e1k-e az erd\u00e9lyi \u00edr\u00f3k?<\/td>\n317<\/td>\n<\/tr>\n
Nagy p\u00e9ld\u00e1nysz\u00e1mok<\/td>\n322<\/td>\n<\/tr>\n
Osv\u00e1t Ern\u0151<\/td>\n327<\/td>\n<\/tr>\n
Erd\u00e9lyi notesz<\/td>\n330<\/td>\n<\/tr>\n
1930<\/td>\n<\/td>\n<\/tr>\n
A j\u00e1mbors\u00e1g els\u00fcllyed\u00e9se<\/td>\n337<\/td>\n<\/tr>\n
Most pedig \u00e9nekelj\u00fcnk, olvas\u00f3<\/td>\n341<\/td>\n<\/tr>\n
Edgar Wallace avancement-ja<\/td>\n344<\/td>\n<\/tr>\n
Erd\u00e9lyi fiatalok<\/td>\n346<\/td>\n<\/tr>\n
Munk\u00e1s kamarasz\u00ednpad Kolozsv\u00e1rt<\/td>\n348<\/td>\n<\/tr>\n
Reinhardt \u00e9s a hanyatl\u00f3 sz\u00ednh\u00e1z<\/td>\n350<\/td>\n<\/tr>\n
Reg\u00e9ny az automobilb\u00f3l<\/td>\n353<\/td>\n<\/tr>\n
Bej\u00e1rta a kerek vil\u00e1got<\/td>\n356<\/td>\n<\/tr>\n
Ilja Ehrenburg sokat \u00edr<\/td>\n359<\/td>\n<\/tr>\n
\u00daj p\u00e1sztor…<\/td>\n362<\/td>\n<\/tr>\n
A Svejk – magyarul<\/td>\n367<\/td>\n<\/tr>\n
A mai film \u00e9s a mai filk\u00e9zirat<\/td>\n369<\/td>\n<\/tr>\n
B. Traven<\/td>\n376<\/td>\n<\/tr>\n
A mai erd\u00e9lyi magyar irodalom arcvonalai<\/td>\n379<\/td>\n<\/tr>\n
1931<\/td>\n<\/td>\n<\/tr>\n
A filoz\u00f3fia a mai Oroszorsz\u00e1gban<\/td>\n389<\/td>\n<\/tr>\n
Jellemek \u00e1br\u00e1zol\u00e1sa-e vagy helyzettudatos\u00edt\u00e1s?<\/td>\n395<\/td>\n<\/tr>\n
A lebeg\u0151 \u00e9rtelmis\u00e9gi<\/td>\n399<\/td>\n<\/tr>\n
Vil\u00e1gn\u00e9zeti kompasz P\u00e1neur\u00f3p\u00e1n kereszt\u00fcl<\/td>\n404<\/td>\n<\/tr>\n
A v\u00e1ls\u00e1g az irodalomban<\/td>\n408<\/td>\n<\/tr>\n
Magazinkult\u00fara<\/td>\n414<\/td>\n<\/tr>\n
Az \u00edr\u00f3 \u00e9s \u00fajs\u00e1g\u00edr\u00f3 v\u00e1ltoz\u00e1sai<\/td>\n416<\/td>\n<\/tr>\n
Kuncz Alad\u00e1r<\/td>\n422<\/td>\n<\/tr>\n
A realizmus fel\u00e9<\/td>\n425<\/td>\n<\/tr>\n
A fotomont\u00e1zs<\/td>\n428<\/td>\n<\/tr>\n
A petr\u00f3leum eposzai<\/td>\n430<\/td>\n<\/tr>\n
Mi t\u00f6rt\u00e9nik Berlinben?<\/td>\n432<\/td>\n<\/tr>\n
1932<\/td>\n<\/td>\n<\/tr>\n
Helytelen vil\u00e1g<\/td>\n437<\/td>\n<\/tr>\n
Szil\u00e1gyi Andr\u00e1s<\/td>\n439<\/td>\n<\/tr>\n
Az \u00edr\u00f3 \u00e9s a gyakorlat<\/td>\n442<\/td>\n<\/tr>\n
A sz\u00e1z\u00e9ves Lewis Caroll<\/td>\n445<\/td>\n<\/tr>\n
Sz\u00ednh\u00e1z \u00e9s gazdas\u00e1g<\/td>\n447<\/td>\n<\/tr>\n
Az elveszett lelkiismeret<\/td>\n452<\/td>\n<\/tr>\n
\u00cdr\u00f3 \u00e9s irodalom a d\u00f6nt\u00e9s el\u0151tt<\/td>\n455<\/td>\n<\/tr>\n
A havas ballad\u00e1i<\/td>\n457<\/td>\n<\/tr>\n
Pen Club Erd\u00e9lyben<\/td>\n459<\/td>\n<\/tr>\n
A barbarizmus kezdete N\u00e9metorsz\u00e1gban<\/td>\n461<\/td>\n<\/tr>\n
\u00cdgy-e vagy \u00fagy?<\/td>\n463<\/td>\n<\/tr>\n
Az \u00e9hs\u00e9g legend\u00e1ja<\/td>\n465<\/td>\n<\/tr>\n
Gorkij \u00e9s Eur\u00f3pa<\/td>\n467<\/td>\n<\/tr>\n
Spinoza<\/td>\n469<\/td>\n<\/tr>\n
Nagy Istv\u00e1n<\/td>\n472<\/td>\n<\/tr>\n
Vil\u00e1gv\u00e1ls\u00e1g \u00e9s vil\u00e1girodalom<\/td>\n474<\/td>\n<\/tr>\n
1933<\/td>\n<\/td>\n<\/tr>\n
A k\u00f6lt\u0151 a dobog\u00f3n<\/td>\n491<\/td>\n<\/tr>\n
\u00daj \u00e9let kapuj\u00e1ban<\/td>\n495<\/td>\n<\/tr>\n
Ami a magyar irodalomb\u00f3l hi\u00e1nyzik<\/td>\n497<\/td>\n<\/tr>\n
Alfred Rosenberg, a nemzetiszocializmus filoz\u00f3fusa<\/td>\n501<\/td>\n<\/tr>\n
Az \u00faj n\u00e9met h\u00e1bor\u00fas irodalom<\/td>\n505<\/td>\n<\/tr>\n
Az „\u00edr\u00e1stud\u00f3k \u00e1rul\u00e1sa” gyakorlat\u00e1hoz<\/td>\n507<\/td>\n<\/tr>\n
A gondolkod\u00e1s v\u00e1ls\u00e1ga \u00e9s a fasizmus<\/td>\n514<\/td>\n<\/tr>\n
A brutalit\u00e1s heroiz\u00e1l\u00e1sa<\/td>\n519<\/td>\n<\/tr>\n
1934<\/td>\n<\/td>\n<\/tr>\n
A humanizmus \u00e9s a racionalizmus ellen<\/td>\n525<\/td>\n<\/tr>\n
Egy ifj\u00fas\u00e1g N\u00e9metorsz\u00e1gban<\/td>\n528<\/td>\n<\/tr>\n
A Mese habbal<\/td>\n531<\/td>\n<\/tr>\n
„Vid\u00e9kre \u00e9s \u00e9letre \u00edt\u00e9lt…”<\/td>\n535<\/td>\n<\/tr>\n
A gyermeksz\u00ednh\u00e1z Oroszorsz\u00e1gban<\/td>\n539<\/td>\n<\/tr>\n
Bertolt Brecht versei<\/td>\n543<\/td>\n<\/tr>\n
A realizmus k\u00e9rd\u00e9se<\/td>\n544<\/td>\n<\/tr>\n
„Megsz\u00e1ml\u00e1ltatt\u00e1l…”<\/td>\n546<\/td>\n<\/tr>\n
1935<\/td>\n<\/td>\n<\/tr>\n
A n\u00e9p bar\u00e1tai<\/td>\n551<\/td>\n<\/tr>\n
A fiatal l\u00edrikusok<\/td>\n555<\/td>\n<\/tr>\n
Az Erd\u00e9lyi Helikon. A kiad\u00f3<\/td>\n557<\/td>\n<\/tr>\n
Az Erd\u00e9lyi Helikon. Az \u00edr\u00f3i csoportosul\u00e1s<\/td>\n562<\/td>\n<\/tr>\n
Br\u00f3dy S\u00e1ndor, vagy kaland a realizmussal<\/td>\n565<\/td>\n<\/tr>\n
Sz\u00e1ll\u00f3 egek alatt<\/td>\n569<\/td>\n<\/tr>\n
1936<\/td>\n<\/td>\n<\/tr>\n
Tam\u00e1si \u00c1ron: J\u00e9gt\u00f6r\u0151 M\u00e1ty\u00e1s<\/td>\n575<\/td>\n<\/tr>\n
N\u00e9meth L\u00e1szl\u00f3 \u00e9s Kur\u00e1tor Zs\u00f3fi<\/td>\n577<\/td>\n<\/tr>\n
A „Napos oldal”<\/td>\n581<\/td>\n<\/tr>\n
Karl Kraus<\/td>\n585<\/td>\n<\/tr>\n
A mai n\u00e9metorsz\u00e1gi irodalom<\/td>\n588<\/td>\n<\/tr>\n
Gustav Regler \u00faj k\u00f6nyve<\/td>\n592<\/td>\n<\/tr>\n
1937<\/td>\n<\/td>\n<\/tr>\n
Ponyva \u00e9s irodalom<\/td>\n597<\/td>\n<\/tr>\n
A „Tan\u00fa”-t\u00f3l a „B\u0171n”-ig<\/td>\n601<\/td>\n<\/tr>\n
A mai magyar szociogr\u00e1fia \u00e9s az irodalom<\/td>\n607<\/td>\n<\/tr>\n
Dr\u00e1mab\u00edr\u00e1lat Transzilv\u00e1ni\u00e1ban<\/td>\n614<\/td>\n<\/tr>\n
Bal\u00e1zs Ferenc<\/td>\n619<\/td>\n<\/tr>\n
Zsolt B\u00e9la: Vill\u00e1mcsap\u00e1s<\/td>\n621<\/td>\n<\/tr>\n
Az elbesz\u00e9l\u00e9s kult\u00far\u00e1ja<\/td>\n624<\/td>\n<\/tr>\n
A magatart\u00e1s k\u00f6lt\u0151i<\/td>\n626<\/td>\n<\/tr>\n
Salamon Ern\u0151<\/td>\n628<\/td>\n<\/tr>\n
„\u00c9s h\u00edj\u00e1val tal\u00e1ltatt\u00e1l…”<\/td>\n631<\/td>\n<\/tr>\n
1938<\/td>\n<\/td>\n<\/tr>\n
Bitay \u00c1rp\u00e1d<\/td>\n637<\/td>\n<\/tr>\n
A sz\u00fcrrealizmus<\/td>\n639<\/td>\n<\/tr>\n
Egy „\u00ednyencked\u0151 eretnek”<\/td>\n642<\/td>\n<\/tr>\n
N\u00e9meth L\u00e1szl\u00f3 \u00faj reg\u00e9nye<\/td>\n644<\/td>\n<\/tr>\n
Frantisek Halas: Any\u00f3k\u00e1k<\/td>\n647<\/td>\n<\/tr>\n
Karinthy Frigyes \u00faj reg\u00e9nye<\/td>\n649<\/td>\n<\/tr>\n
„A falusi n\u00e9p sz\u00e1m\u00e1ra megfelel\u0151 irodalom” k\u00e9rd\u00e9s\u00e9hez<\/td>\n652<\/td>\n<\/tr>\n
Az \u00edr\u00f3i semlegess\u00e9g<\/td>\n655<\/td>\n<\/tr>\n
1939<\/td>\n<\/td>\n<\/tr>\n
Erg \u00c1goston<\/td>\n659<\/td>\n<\/tr>\n
Ady \u00f6sszegy\u0171jt\u00f6tt novell\u00e1i<\/td>\n661<\/td>\n<\/tr>\n
\u00c1prily Lajos: A l\u00e1thatatlan \u00edr\u00e1s<\/td>\n664<\/td>\n<\/tr>\n
Nagy Istv\u00e1n: K\u00fclv\u00e1ros<\/td>\n666<\/td>\n<\/tr>\n
Horv\u00e1th Imre: Adj, kertem, t\u00f6bb vir\u00e1got<\/td>\n669<\/td>\n<\/tr>\n
Asztalos Istv\u00e1n<\/td>\n671<\/td>\n<\/tr>\n
1940<\/td>\n<\/td>\n<\/tr>\n
A mai fiatal \u00fajs\u00e1g\u00edr\u00f3<\/td>\n677<\/td>\n<\/tr>\n
Id\u0151szer\u0171tlen jegyzetek<\/td>\n679<\/td>\n<\/tr>\n
A Korunk \u00e9veinek marg\u00f3j\u00e1ra<\/td>\n<\/td>\n<\/tr>\n
A Korunk \u00e9veinek marg\u00f3j\u00e1ra. Ezerkilencsz\u00e1zharmincnyolc<\/td>\n683<\/td>\n<\/tr>\n
A Korunk \u00e9veinek marg\u00f3j\u00e1ra. Ezerkilencsz\u00e1zharminckilenc<\/td>\n688<\/td>\n<\/tr>\n
A Korunk \u00e9veinek marg\u00f3j\u00e1ra. Ezerkilencsz\u00e1znegyven<\/td>\n695<\/td>\n<\/tr>\n
Jegyzet<\/td>\n699<\/td>\n<\/tr>\n
Bibliogr\u00e1fia<\/td>\n701<\/td>\n<\/tr>\n
N\u00e9vmutat\u00f3<\/td>\n713<\/td>\n<\/tr>\n<\/tbody>\n<\/table>","protected":false},"excerpt":{"rendered":"

Szerz\u0151: Ga\u00e1l G\u00e1bor
\nSzerkeszt\u0151: Sug\u00e1r Erzs\u00e9bet
\nFord\u00edt\u00f3:
\nLektor:
\nBor\u00edt\u00f3: Octavian Bour
\nFot\u00f3, grafika:
\nKiad\u00f3: Irodalmi K\u00f6nyvkiad\u00f3
\nKiad\u00e1si \u00e9v: 1964
\nSorozat:
\nISBN:
\nK\u00f6t\u00e9s: puhat\u00e1bla
\nLapsz\u00e1m: 726
\nMin\u0151s\u00e9g: j\u00f3 \u00e1llapot\u00fa antikv\u00e1r k\u00f6nyv
\nForm\u00e1tum: 200 x 130 mm
\nFeldolgoz\u00e1s \u00e1ltal\u00e1ban 5-10 nap. El\u0151rendel\u00e9s eset\u00e9n egyeztet\u00fcnk telefonon.<\/p>","protected":false},"featured_media":108096,"template":"","meta":[],"product_brand":[],"product_cat":[286,37,460,43],"product_tag":[],"class_list":["post-108094","product","type-product","status-publish","has-post-thumbnail","product_cat-magyar-nyelvu-konyvek","product_cat-antikvar-konyvek","product_cat-irodalomtortenet","product_cat-magyar-irodalom-szepirodalom","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/www.antikvarius.ro\/hu\/wp-json\/wp\/v2\/product\/108094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.antikvarius.ro\/hu\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.antikvarius.ro\/hu\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.antikvarius.ro\/hu\/wp-json\/wp\/v2\/media\/108096"}],"wp:attachment":[{"href":"https:\/\/www.antikvarius.ro\/hu\/wp-json\/wp\/v2\/media?parent=108094"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.antikvarius.ro\/hu\/wp-json\/wp\/v2\/product_brand?post=108094"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.antikvarius.ro\/hu\/wp-json\/wp\/v2\/product_cat?post=108094"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.antikvarius.ro\/hu\/wp-json\/wp\/v2\/product_tag?post=108094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}